United Nations Registration No.00200
‘Double Shuttle’ Technique Patented by Nanjing Weaving Bureau (1592)
Pieces by master descendant of 1573 Imperial Weavers
672 Hours for ‘Nine Fish’ Pixel Mapping
This composition draws inspiration from Ming Dynasty ceramics featuring fish motifs — known for their auspicious connotations in classical Chinese art.
Nine koi swim upward through curling waves, playfully animated yet deeply symbolic. In traditional numerology, "nine" is the number of longevity and harmony, while "fish" (koi) evoke abundance, perseverance, and prosperity.
The lotus blossom, often associated with purity and noble character, grounds the piece with calm elegance. Together, the visual narrative speaks of hope, success, and peace — a perfect talisman for the home or office.
Each koi and water ripple is woven thread-by-thread, not painted, using dyed silk yarns in gradated tones. The texture and depth of the koi scales are built through layered passes of metallic threadwork and silk fiber tension control.
This work was created using double shuttle weaving techniques, a method preserved by a small number of trained heritage artisans in Nanjing.
Made in collaboration with the Nanjing Yunjin Brocade Research Institute, where centuries-old imperial weaving techniques continue to flourish.
Here, cultural symbolism meets fine art — transforming the wall space into a reflection of philosophical beauty and emotional clarity.
Recognized by UNESCO as Global Cultural Heritage
Yunjin Brocade — famed for its complexity and historical prestige — was inscribed on the UNESCO Intangible Cultural Heritage of Humanity list in 2009.
🔖 UNESCO ICH No.00076
🔗 Learn more on the UNESCO Intangible Cultural Heritage website →
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